Eddie Murphy delivers one of the year’s best performances in DOLEMITE IS MY NAME, the hilarious, heartfelt story of Rudy Ray Moore (a/k/a Dolemite) and his unlikely rise to stardom in the 1970s.
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Andie reviews Melina Matsoukas’ highly anticipated QUEEN & SLIM - a terrific, provocative film sure to be one of the most talked about movies of the fall.
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Writer/director Trey Edward Shults has delivered a powerful, devastating drama with WAVES, which features some of the finest acting performances of 2019.
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Mark Ruffalo stars as a whistleblowing lawyer, exposing deadly malfeasance by the DuPont Chemical Company, in Todd Haynes’ latest film.
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One of the most anticipated films of 2019, Frozen II brings everyone back for laughs, adventure, and a trip “into the Unknown.”
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While there are so funny and amusing moments, the animated reboot of The Addams Family is scattered, a bit random, and something of a mess.
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Joker, powered by an extraordinary performance from Joaquin Phoenix, talks loud and says next to nothing whatsoever.
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Renée Zellweger gives a career-defining performance as Judy Garland in Judy, a disappointing film made memorable by the veteran actor’s extraordinary work.
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As comfortable to slip into as a pair of pajamas, or as calming as wrapping yourself in a favorite blanket, the cinematic installment of Downton Abbey is perfect fan service and a pretty enjoyable film to boot.
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Harmless fun, with some deeper themes at play, Abominable is a fantastical adventure about a teenage girl hoping to return a rescued Yeti to his home on Mount Everest.
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Led by a powerful, internal and introspective Brad Pitt performance, Ad Astra is a journey across the universe which may delight and dismay fans at the same time.
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Hustlers soars with a career-best performance from Jennifer Lopez, terrific work from Constance Wu, and Lorene Scafaria’s insightful, impassioned storytelling.
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Though it tries to please too many masters, comedic suspense/horror hybrid Villains is still a delirious little bit of fun.
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An overlooked moment in recent political history gets big-screen treatment as Official Secrets details a whistleblower’s discovery as the United States and United Kingdom prepared to build a coalition to invade Iraq in 2003.
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Too long, overstuffed, with a silly conclusion, It Chapter Two squanders great talent and an inventive, charismatic villain for a ponderous story that lacks the conviction to follow through on its basic premise.
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After years of buzz, and the championing of numerous writers and directors clamoring for its release, Issa López’s fantastic fairy tale/suspense/horror hybrid, Tigers Are Not Afraid, is powerful, emotional, and one of the best films of 2019.
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Well-acted and well-directed, indie dramedy Before You Know It has a few great moments, you just wish it had more of them.
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Don’t Let Go, formerly titled Relive, is a time-travel, police procedural that becomes increasingly incoherent the longer and longer it goes.
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One Child Nation lays bare the disastrous effects of China’s One-Child Policy in a searing and seething documentary from directors Nanfu Wang and Jialing Zhang.
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Strange, enlightening, frustrating, yet compelling, Cold Case Hammarskjöld is one of those rare documentaries that leave you asking - What Is Happening?
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